Success in Music: 7 mistakes to avoid in… 6 July How to get signed by a label when… 26 April Produce your project. How to build your musical project and attract… 14 November What is an Artist Entrepreneur? Is it different… 7 September How to create the best budget home studio! Promote your project. How to contact professionals in the music industry? Groover announces their newest partnership with Palco MP3 23 September Tips for musicians.
Success Stories. Djakarta take their career to the next level… 17 November Dan Howls gets an international audience, thanks to… 12 August Try Groover Now. Line Up and Equipment List In the first part of your tech rider, it is good practice to introduce the members of the band , mention their names and which instruments they will be playing.
At least 2 people need for load-in, load-out. Artist shall have the right of approval of all press and publicity pertaining to the engagement hereunder. Artist, or its designee, shall have the sole and exclusive right to sell or license the right to sell and distribute merchandise of any kind at the engagement including without limitation, merchandise containing the name, voice, likeness and logo of Artist and any member thereof collectively "Artist Merchandise". Purchaser shall provide, at its sole cost, a well lit, secure, prime location and table for merchandising.
Cancellation: Purchaser agrees that Artist will have the right to cancel this agreement without liability upon notice to. Purchaser shall not commit Artist to any personal appearances, interviews, or any other type of promotion without the prior consent of Artist Management. There shall be no press parties or appearances before a special group set up without the express permission of Artist Management.
No part, portion or segment of the performance shall be reproduced, either through audio or visual means, without the prior, written permission of Artist Management.
Artist shall receive up to ten 10 complimentary tickets if requested. No complimentary tickets to be issued by the buyer without prior permission from Artist Management.
Buyer must start advertising of this engagement no less than thirty 30 days prior to play date. Your Technical Rider exists to help the sound engineer, promoter or venue by answering questions that could take up precious time at a soundcheck.
For instance, where on the stage all the instruments will be situated, how many microphones are needed and what kinds of instruments will be used etc. In order to be treated as professionals, it is important for bands and artists to present themselves as professionals when booking shows. Having an up-to-date, clear and accurate technical rider will save lots of time and confusion for everyone involved in presenting the show.
Stage Plan. A Stage Plan is a visual representation of where all of the band members, instruments, microphones, and monitors will be on stage in the ideal scenario. If your band plays live music, you need a stage plan. This should be a bulleted list with names of the band members and their instruments. Below each bullet, include a sub-bullet that states how many and what type of inputs each requires, otherwise known as an input list. Be specific — include the main pieces of gear, but also less obvious things such as: mic stands, a drum throne, hardware, cymbals, a rug, amps, DIs, microphone types, etc.
This should be in the form of two lists so that the soundman has an easy-to-scan checklist. The band will supply: drums, cymbals, two guitars, bass, one guitar amp, keyboards with interface, two DIs, one dynamic vocal microphone. The venue will supply: drum hardware specify which kind , drum throne, carpet, one tube bass amp Fender Bassman TV duo watt or similar , one guitar amp Fender Hot Tod or similar , three DIs, eight mic stands. I would also recommend adding: "If the venue is unable to provide any of the equipment above, please contact [band representative with email] so we can coordinate other arrangements.
Some venues have specs of their backline and frontline on their website, so you can always check that out first to save some back-and-forth. Make sure your tech rider clearly states your expectation from the PA, monitors, and console.
A sub might be very important for your sound, and not every PA has one. If you need certain effects on the console, write them either on your input list next to which channel the effects belong on, or in your frontline description as a general requirement. EQ is standard on pretty much every console, but compression, gate, reverb, and delay might not be, especially with smaller venues or PA rental situations.
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